Noah and God’s Angry Flood
Throughout my life the Biblical story of Noah was often referred to simply as Noah’s Ark. In my elementary years, it was presented as a “just so” story about rainbows with water color pictures provided by the whole class to illustrate the tale. As I grew older it was taught as a story of awe and wonder about building a great wooden boat, assembling a vast collection of animals, and rain that won’t quit. God, when He appeared in various redacted versions of the tale, provided warning of the calamity to come and safety and refuge for Noah during and after the great tragedy. Most recently, in my adult Sunday school lesson book, the story was offered as an opportunity to point out Noah’s virtues and as an exhortation for us to emulate those virtues: faith, patience and obedience. As I read the story preparing for my Sunday class, none of the interpretations from my Protestant past or present seemed to capture the plain text of the story.
So, read it again and let the story startle you. After you’ve read it a time or two, take a close look at the painting by Jan Breughel the Elder, circa 1601. It has come to be called “The Flood with Noah’s Ark”. Breughel’s painting, like the story itself, is a gut punch—the story of Noah and the Flood is a horror show. It is a story of an enraged slaughter. Not only do offending humans die, but also every other living creature on earth as well. Look at the painting’s details. Mothers grab their babies. People claw to get to higher ground. Some try to save possessions, while others simply hold each other and scream. You can hear the din of their cries and wails, and you can see the human variety of reactions: puzzled looks, panic, despairing acceptance, and fear. Pandemonium is here for Death is coming. Death is coming to the whole earth.
So, read it again and let the story startle you. After you’ve read it a time or two, take a close look at the painting by Jan Breughel the Elder, circa 1601. It has come to be called “The Flood with Noah’s Ark”. Breughel’s painting, like the story itself, is a gut punch—the story of Noah and the Flood is a horror show. It is a story of an enraged slaughter. Not only do offending humans die, but also every other living creature on earth as well. Look at the painting’s details. Mothers grab their babies. People claw to get to higher ground. Some try to save possessions, while others simply hold each other and scream. You can hear the din of their cries and wails, and you can see the human variety of reactions: puzzled looks, panic, despairing acceptance, and fear. Pandemonium is here for Death is coming. Death is coming to the whole earth.
Read the text again. A wrathful
God decides things in the world He created are not going as planned. The text reads, “the Lord saw that the evil of the human creature was great
on the earth and that every scheme of his heart's devising was only perpetually
evil.”[1] So, the narrator informs us that, “. . .the Lord regretted having made the human on earth and was grieved to the heart.” God’s regret is so strong that He decides, “I will wipe
out the human race I created from the face of the earth, from human to cattle
to crawling thing to the fowl of the heavens, for I regret that I have made
them.” This is all recounted in Genesis 6. Earthworms and aardvarks all must be
destroyed because the Lord is having creator’s remorse about those humans. Then, you know the story, 40 days and nights
of rain. Floods rise. Everything and everybody, except Noah, his
family, and all the animals on his boat, drowns. My Sunday School teachers
never dwelt on the homicidal part. We
only heard about how big the ark was, how miraculously the animals came, and of
course, the rainbow. Yep, we glossed
over the genocidal part, the part that makes the great mass murders of the 20th
century look like amateur hour.[2]
In
the Noah tale, there is a puzzle that might help us return the horror of mass
extinction to the central place in the story and drive us to think more deeply
about God, humans and our role as his agents on earth. To begin, note the rationale for homicide in Genesis
chapter 6, “the Lord saw that the
evil of the human creature was great on the earth and that every scheme of his
heart's devising was only perpetually evil.” The human creature’s
congenital evil demands the extermination of every living thing on earth. Now, read on into chapter 8. After God “remembers” Noah (Gen. 8:1), the
floods recede, and Noah builds an altar and offers burnt sacrifices from every
kind of clean cattle and clean bird. [3] As those fumes waft upwards and please God, He
pledges eternal mercy to reemergent humanity, “For the devisings of the
human heart are evil from youth. And I will not again strike down all
living things as I did.”[4] The rationale for justice in Genesis 6, the
compulsive evil of humankind, is, in Genesis 8, the grounds for showing mercy. God looks at humans in Genesis 6 and says they
are evil. They mar His creation. They deserve destruction. After the devastation He has unleashed, God
looks at humans in Genesis 8, notes again their congenital evil, and this time,
He offers mercy.
Justice
is the rendering unto others what they are due.
The Law, the Prophets, the Writings, the Gospels and the Epistles are
just chock full of calls for justice, stories of injustice, appeals for
justice, and more. Mercy is often
thought of as the far end of the scale of justice: harsh, capital punishment at
one end, and mercy, olly olly oxen free, at the other. We seem to think that mercy is a lightening of
the sentence, a reduction in penalty, a tipping of the scale until sometimes
there is no penalty at all.
Who deserves justice and
who deserves mercy? Our social and
political life certainly is full of debates over this sort of question. Criminal justice, redistributive policies,
even foreign policy decisions feature debates over what someone or some group
is “due” and which characteristics or situations might mitigate harsh
judgement.
This time,
as I read the Noah tale and struggled with its horror, I found another, and no
less startling, lesson. God’s mercy may
not be at one end of a sort of scale of human justice at all. The story seems to indicate that God has a
change of heart about the humans and the world that He has created.[5] What in the human situation has precipitated
that change? As the judge might ask, “What
in this situation might merit tipping the scale towards mercy?” The answer is nothing. Humans have not changed one bit. Noah is
still human. Read on through the rest of
the Scriptures. It’s abundantly clear
that humankind, the children of Noah, is just as full of mischief, murder, and
idolatry after the flood as we were before the flood. Nothing in the text suggests that God has suddenly
seen something heretofore unnoticed about human beings. And God offers the whole creation mercy:
As long as all the days of the earth -
seeedtime and harvest
and cold and heat
and summer and winter
and day and night
shall not cease."
You
see, later in the holy tale, God tells Moses that His very name is “I shall
have mercy on whom I will have mercy”. (Ex. 33:19). God uses the same formulation of ineffability
that He uses when he originally whispers His Name to Moses. Mercy and the offer of mercy “to whom I will” is
God’s very Name. The Noah tale, I suggest,
teaches that mercy, the mercy of God that is, is, orthogonal to the scale of
justice. It is for all of creation,
murderous humans included. It is a
divine offer and a divine promise. We
see it repeatedly in the holy story. When
Jacob meets Esau (Gen. 33), he expects the knife in the neck for his birthright
bargaining and theft of blessing. Instead Jacob receives mercy. He cries out in surprise and relief that to
look at Esau is to see the face of God! Indeed, “I shall have mercy on whom I will
have mercy”. Do you want to ‘see’ what
God looks like? John tells us to look
for a Jew dying on the empire’s cross pleading to his Father to offer mercy to
his executioners. “I shall have mercy on
whom I will have mercy”.
I still don’t rest easy
with the mass murder at the center of the story. Breughel’s painting haunts. There is just no way I can put on the moral blinders
that justify extermination. Yet I have
known the offer of mercy. I have
experienced the power of mercy undeserved, of mercy unrelated to my conduct. Face to face, heart to heart, I have been
offered that mercy. Without that mercy,
I would be a wreck of a man with a life of shambles. That mercy is my liberation. Because of that mercy I have a chance at
shalom. That mercy is the seed of my transformation
into a person who loves and who offers mercy to others. When I looked into the eyes of the one who
offered mercy to me, like Jacob, I saw the face of the main actor in the Noah
tale and in all of the holy tale.
Muestra misericordia.
Buen Camino
[1]
Here and below I’ve used the Noah text as translated by Robert Alter.
[2]
Today, I don’t know which I find worse, glossing over the murders or attempts
to justify God’s murders.
[3]There
is a puzzle here as well. In Genesis
6:19-20 Noah is told to bring into the ark two of every kind of animal, male
and female, on the face of the earth. In
Genesis 7:2 Noah is instructed to bring into the ark two of every kind of clean animal. Further in Genesis 8:20 God instructs Noah to
take of the clean animals and make
sacrifices. The distinction between
clean and unclean animals doesn’t reappear until the Law is given in Leviticus
11:1-47. The easy interpretive way out
is to claim that years later an editor picked up the scroll, clearly after
eating a kosher lunch, and added the pious gloss to the Noah text. Of course,
note the assumption that “we”, today in all our wisdom, know better than those
foolish editors of long ago who add an anachronistic comment in one place but
ignore the other places they could have inserted the same sort of material.
[4]
Mercy not just for humanity, but also for the entire creation. ”I will not again damn the soil on
humankind's score.” (v. 21).
[5] Many
are loathe to say things like “God changed His mind.” There are certainly claims in scripture that
God is unchanging. There are also
certainly stories in which God changes.
Here is one for instance. Further,
the narrator in Exodus describes how God wants to wipe the Israelites out after
the Golden Calf incident, but Moses reminds Him of His own purposes and
promises and God “relents”. Why do the
metaphors of God as unchanging have precedence over the stories of God changing?
I suggest that a rationalist approach to
theology, an approach that seeks orderliness of the logical and rational kind
at the expense of all other forms of order, forces us to choose between
biblical metaphors and assign priority to one set over other biblical images
and metaphors. Think of all the times
the text says something like “God walked in the garden in the cool of the day.” Immediately, theologically driven folks will clear
their throats, hem and haw, and begin to explain that we don’t take too
seriously what the inspired writer clearly wrote. Language deemed too
anthropomorphic, well it doesn’t bear up to our theologically informed readings. For the theologically minded we should, however,
take seriously the equally inspired writer who informs us that God is Spirit
and conclude of course, spirits don’t go for a walk. For me, the Scriptures are
a sea of metaphors that don’t always fit together in rational order. The whole variety of metaphors are the revelation
of God. Their sheer variety may well provide multiple doors for folks to enter
into a relationship with the One who is revealed there. Our task is not to be’ smarter’ than the
inspired writers but to read, re-read, and be transformed by what they tell us.
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